Trend Blue

Blue perches on the edge of her cybermobile, races down the information highway, turns the corner, and then barely screeches to a halt before shooting off again.

Accustomed in her youth to sitting still , then later travelling on horseback, ships or aeroplanes,  this kind of travel is exciting to her and she has taken to it like a duck takes to water. 

At last she has come of age and is no longer limited by the confines of distance and time. A thrill of excitement ripples through her at the very thought of the avenues of opportunity that have opened to her.

Now at last she can shout out from the rooftops and be heard by others instantaneously. 

Blue, by another name, is Communication, and in the current age has a voice unheard-of before.  Aided by technology and most importantly social media, Blue is the newly acquired voice of the collective.

Never before has the collective been so able to participate in bringing about change despite the many unhealthy structures still existing in some parts of society. The collective has in a sense, truly found its voice.

The collective has widened its embrace and individuals willing to open themselves to new perspectives and different world views, find themselves part of a much bigger We than that to be found in their family, their tribe, their town, their country, their religion, or even their species. And this We has a voice.

I have called this voice Blue for many reasons.

All colors have frequencies and when exposed to them we resonate with them in ways we are often unaware of. At the same time our evolving energy levels probably cause us to be drawn to colors existing at the same frequency. 

In the study of colors, blue is related to self expression. It symbolizes speech, and the ability to communicate our needs and requirements.  

Blue, the color of conversation, is said to absorb and release sound. In his book, “Born on a Blue Day”, Daniel Tammet, one of the very few people alive with synesthesia and autism, describes how he sees “the sound of loud voices arguing” in blue. 

When one studies the chakra system, the fifth chakra associated with the throat, is the chakra of communication, expression and creativity. The color associated with it is blue. Not only are there the seven chakras for the individual, but there are also said to be seven planetary chakras. According to some schools of thought, the fifth planetary throat chakra is said to be at the Great Pyramid of Giza located just outside of Cairo - interesting, when one considers recent events in Egypt and the action that was able to be initiated through the use of social media.

In an interconnected world, trends in one area keep popping up in others. Blue at the moment is in.

Twitter’s official logo is in blue. Blue, light blue and sky blue variations of the twitter bird, although not their official business logo, are used as style elements on their website.

The ribbon promoting freedom of online speech is blue, and it is said that blue is becoming the new green.

At the end of the Milan Fashion Week, Giorgio Armani presented his Spring/Summer Collection for 2011. Inspired by the nomadic Touaregs, known for their wearing of blue, the show, entitled La Femme Bleue, had models wandering out of a desert backdrop in shades of blue from cobalt, through navy to royal and midnight blue.

I have referred before to the rise of what I call global nomads in the current world culture we are part of. This collection was a reminder to me once again of the need for finding new and diverse ways of communicating in this century of mobility and in a world where the centre is constantly changing.

If you have the time to watch the fashion show that follows, be sure to look out for Blue. She is definitely on the catwalk!

Langu age

About twenty years ago, it was still believed that after the brain’s initial formation period, brain networks were static. Neuroscience now recognizes that the brain is shaped by experience on an ongoing basis.  Brain plasticity is the ability of the brain to rewire itself and form new networks at any age. 

The internet, and especially social media, is without a doubt affecting our reading and our writing, but what I find particularly fascinating, are the examples of brain plasticity in these areas, now slowly coming to the fore.

Without us being consciously aware of it, our brains are adapting and adjusting to the time we spend online.

The splitting of words as we type in haste, the joining of words for convenience or for use with hashtags, (a word only recently added to the Oxford dictionary), omitting letters for the sake of character limitations, and the use of numerals 4 certain words, are now everyday phenomena in cyberspace.

The very concept of cyberspace is effecting not only the way we use words but also the meaning we give to them and the way we see them. 

What if nowhere is seen as now here

Tweeps refer to everyhere not everywhere as they meet online with users from various countries simultaneously. 

The concept of an iCloud is not at all strange.

The blog u r reading right now is called here2here.

Only recently I came across this tweet:

@GammaInfinity One whole day has passed, and I remain amazed that until yesterday I had never noticed that “race car’” backwards is “race car”.

These are exciting times, for these very abilities will overflow into everyday life.  Whereas before we could look at something for years without noticing certain aspects of it, we will now begin to take new perspectives on worldviews we had never questioned before.  Outlooks conditioned by upbringing and culture will be looked at with new eyes. Reversals, splittings & combinations will see insights evolving.

As an exercise, I decided to take the word “language” and play around with it. 

Langu age, was perhaps a natural split, as we hear much about entering a new age.

Research revealed that besides being an iphone app to make the learning of Spanish and Mandarin Chinese a lot of fun, “langu” also means “my” in Swahili. 

A promoter of collaboration, I immediately looked up a translation for “our” in Swahili, only to discover that it is  “wetu” which I of course read as “we too”, appropriate I felt in an age of interconnectivity and connectedness!

Lan guage was another possiblity.

My eyes muddled up the letters in guage on first reading and I saw it as gauge.

LAN is an acronym (hard to believe that two years ago I did not know the meaning of lol!) for local area network, but as more and more of us access online space, the question of what to gauge as local becomes an interesting one. 

Let’s look at one more possibility for “language”: La ngu age.

Age keeps reoccurring, la added a French ring to the, and ngu is an acronym for never give up. The never give up age!  

My eyes, probably because I come from Africa and have many times visited the Kruger National Park, immediately saw “gnu” the first time I read la ngu age. The age of the gnu?

The gnu is a wildebeest and spends much of its life as a loner on the move. This is possibly not inappropriate when we consider how we as individuals are continuously on the move in cyberspace.  In a sense we are alone as we do this, but in another sense, this aloneness is only physical.  On an energetic level, we connect to so many others in virtual space.  The gnus are famous for their annual migrations in the Serengeti, and together we in here2here space, are making mass migrations to new ways of being.

People from the West write and read horizontally from left to right. In the East many languages are written and read vertically from bottom to top. The mass migrations we are making together in cyberspace, however, are rewiring our brains and altering the way we write and see things.  Now, for example, in the West, emoticons are written vertically :) while the Eastern smilies interestingly enough run horizontally ^_^ with most of us beginning to use them interchangeably.

In @GammaInfinity’s Flickr photostream you will find what he has entitled Luminal Butterfly. He states that in this magic fantasy, butterfly has another stage after adult, where it becomes pure light, creating beautiful displays in late summer.

Not only is language undergoing a metamorphosis, but we, both as individuals and as the collective, are undergoing one too.

As we do so the heart is opening:

heartheartheartheartheartheart is becoming 

hear the art hear the art hear the art 

_/|\_

Meeting in the gap

Yesterday, in South Africa, making my way to my boarding gate for my flight back to Dubai, I passed a little shop selling Ndebele art.

Today, 24hrs later, I had lunch in an Iranian restaurant.

 

These photos were taken within one day of each other and between them was a gap - the gap of place, the gap of time, the gap of culture.

Yet now you see them both, brought together by my sharing them with you in this here2here space where we meet. 

This space is in itself a gap between us and yet it is a gap not void of content. On the contrary, it is the space of untapped potential, the space of creativity, the meeting place of various personalities, cultures and worldviews, made possible by technology.

It is a reminder of the many gaps we encounter on a daily basis.

The beauty of communication can only be appreciated by acknowledging pauses between words, whether they be spoken or written. Music is filled with pauses between notes, gaps between movements.

There is the transition point between ending one task and beginning another, the time of waiting for a new phase in one’s life to begin, or even the time spent waiting for the lights to change while on the road. 

These gaps are not wasted spaces or wasted time. They are filled with potential when we become mindfully aware of them. 

There is always a moment between an experience and our response to it. The simple act of pausing and finding this gap is proving to have many benefits on many levels of being.

As we begin to find these gaps, inner rhythms can be acknowledged, and when necessary, alignments made with the universal rhythms present all around us. These universal rhythms have always been there, but it is as if we are only now, not only as individuals but also as a collective, beginning to hear them.  

One place these universal rhythms are to be found is in the gaps between cultures. These gaps were once thought of in a negative way, as if they were points of separation and divide. On closer inspection they are a meeting place to discover similarity, interconnectedness, unity and creativity.

Meet you in the gap!  

Spaces to Places

Recently opened in Downtown Dubai, The Pavilion is a contemporary art space which not only encourages dialogue between art and its audience, but is also a vibrant space for the neighborhood, with galleries, a cinema, library, espresso bar and restaurant. The architect Abboud Malak has said, “It’s anything you want it to be; just come and bring your computer or socialise. It’s a versatile space and encompasses everything.... The people will make the space what it is.”

I often go there to do research, write or hang out with friends. The design with its natural woods has a very calming effect. It is a place where creatives can work, socialise or simply be.

Spaces become places when individuals or communities endow them with meaning. Spaces become places through the participation of people.

One’s experience of a particular space evokes emotion and memory and gives rise to what is often referred to as a sense of place. Some spaces are so designed that they encourage the individual to spend time there alone, others invite participation and interaction with others, and others encourage both.

Right now, we find ourselves having to move, more and more, in online space. 

 

In a sense we have become online nomads, meeting fellow travelers from different places, countries and cultures in a space not limited by time. We often tend to wander from site to site, perhaps unaware that we are actually in search of online oases. These are sites that nourish and refresh, and where we are met with online hospitality.  When this is not so, we simply click away and are transported down another corridor.

Whereas many see today’s technologies encouraging placelessness, this need not be the case. What is required of us now is a special generation of architects and designers, creators of online spaces which become special online places for current and future users. 

Physical spaces designed by architects to encourage reflection or interaction are not empty. Their features encourage occupants of the space to interact with it in a particular way.

Online spaces need to be created in this way too.

Just as decorators move shapes around to find the right place and the right fit, so too the positioning of words, widgets, links, videos etc can be approached with mindfulness.

It is encouraging, for example, to see new blog technologies coming in to being that will move away from the linear and allow positioning of videos, pics and words all over a blank page. Such collage like blogging will most definitely promote creativity.

The spaces we occupy online deserve our respect.  We can declutter by regularly emptying our mail boxes. We can consider not retweeting that which we have not read or watched.  A mindful online presence will require that we don’t simply fill the space we encounter with mere words, simply for the sake of filling it. 

If we have our own website, we should be aware that the home page is an online door. What image does it portray to the first time visitor. Does it encourage the visitor to enter? Is it welcoming? Does the architecture of the website enable the visitor to meet others there? Does it encourage the visitor to return? Does the visitor feel at home there?  Does its mindful design include windows that provide vistas, and bridges that lead to new sites. 

Is it a pavilion, a dome, a light filled space where others are encouraged to be?

 

          I saw that my life was a vast glowing empty page and I could do 

anything I wanted. - Jack Kerouac

The space where we meet online is like this too. It is certainly vast, and when we look at our handheld gadgets, it is certainly glowing. What are we going to do with it? What are we going to create?

Light Through - Electronic Stained Glass

There are some days that seem to be filled with colour.

Last week, shortly after my return from the Liwa Desert, I visited a centre in Dubai called Wafi and experienced such a day. Camera in hand, I clicked away. When selecting a few of the images to share in a gallery, I noticed that most of those I had chosen involved light shining through glass.

I was immediately reminded of an interview I had been listening to, in which Jeremy Johnson discussed the terms “light on” and “light through” with John David Ebert. 

Light can shine on something or light can shine through something. Marshall McLuhan, a communications theorist, used the terms “light on” and “light through” to highlight the media that went hand in hand with various cultures throughout the ages.

In the west, in the Middle Ages, light had shone through.  The stained glass windows of many cathedrals are testimony to this. They told stories to the beholder and were meant to point the one looking to a Presence beyond. The dominant belief at the time was that the light of Spirit was shining through all that was taking place.  

The invention of the printing press by Gutenberg in the 15th century had ushered in the Renaissance, an age of “light on”.  The printed word had to be looked at.  Light had to be shone on the printed word so that the eye could read it.  

The digital age has once again ushered in “light through”, and the gadgets we currently use are like electronic stained glass. Their high resolution makes them luminous and beautiful, with light shining in from behind.

These gadgets make it possible for you and I to meet and exchange information immediately.  Even right now, our spaces are overlapping. We are sharing a common boundary and an exchange is taking place.

When two entities interconnect, be they systems, concepts, devices, cultures or human beings, the common boundary they share and where an exchange of information and/or energy takes place is known as an interface. 

The place where we are currently meeting, I have chosen to call here2here. In it, we are able to “interface” - which I will translate as - meet in the space between our faces. here2here is the common boundary we share right now, a space where our subtle energies meet. In this space, you somehow shine through to me and I shine through to you, with webcams and apps such as facetime providing a possible enhancement of this meeting. 

Aaron Koblin in his TED talk, quotes: “The culture of the 19th century was defined by the novel, and the 20th century by the cinema. The culture of the 21st century will be defined by the interface.”

I am of the opinion that the interface will again allow us to become aware of a special light shining through, a light symbolizing the transcendent.

Already the miracle of this is becoming apparent as, for example, interfacing is making it possible for east and west to allow light to flow through to each other. 

Special online museums are enabling us to view each other’s art and so learn more about the culture of the other. The resulting fusion is producing new masterpieces. 

The exhibition, “Through The Looking Glass” by Syrian artist, Mouteea Murad, is currently running in Dubai. When I viewed the exhibition, I was immediately reminded of stained glass, not knowing then, that this would be the topic of this blog!

I include the picture I took of one of his artworks here, because it symbolizes for me in image, that which I have attempted to say with words. 

I include too, a video featuring the music of Jon Hopkins. The piece is entitled, “Light through the veins” and the sounds and images of this video speak too, where words fail.