Faig Ahmed: Weaving a Wonderful Tale

Art Week in Dubai is in full swing.  Gallery openings, design days, art fairs, art nights, workshops and enchanting exhibitions and installations have captured viewers and art lovers from all over the world.

Many have immersed themselves in the experience and through this have formed wonderful new relationships with friends and artists. I personally have met people from all over the world that I had only known before through social media platforms such as Twitter and Instagram.  Together we have attended events and shared stories, thereby getting to  know a little bit more about each other and about other cultures.

The stories we have shared with each other have further helped to weave the wonderful tale of interconnection and shared humanity that is slowly making itself heard today.   They have helped us to let go of stereotypes and question existing boundaries. 

One installation during Art Week captured my attention the minute I heard about it via social media. @cuadroart, the Instagram account for the Cuado Art Gallery, posted a picture with the caption, 

“Faig Ahmed’s yarn threads have started to stretch out of Cuadro and into the balconies of the neighboring buildings in the DIFC Gate Village” 

Faig Ahmed is from Baku, Azerbaijan. Currently he is exploring carpets, weaving digital patterns with the conventional recurring patterns to create bold optical illusions.  Faig states that “Tradition is the main factor creating the society as a self regulated system. Changes in the non-written rule happen under influence of global modern culture.”

Faig works are currently “an instantaneous expression” and he believes that in today’s world, “ideas that have been formed for ages are being changed in moments”.

One online article by a blogger called Will had this to say about Faig Ahmed’s work:

“Carpets are often regarded as an indestructible icon of the East, and a deeply respected item in many households used for visual and decorative means.  Faig’s work alters these standard stereotypes and creates new boundaries with a fresh outcome.” 

In his current installation, Faig takes this two-dimensional craft and by stretching elements of his work into space, takes it into a third dimension. As I read all of this, the tale became more captivating, and like a reader caught up in a gripping storyline, I was being drawn into this wonderful web. 

The DIFC is one of my favorite places to photograph in Dubai.  That the installation involved buildings was a bonus. 

I love taking photographs of buildings and presenting them in such a way that the viewer is encouraged to take on a new perspective.  We are so caught up in the beliefs and traditions of our respective cultures, that it is not always easy to see things from a different perspective.  Through my mobile photography I attempt to introduce this concept visually, both by not using a traditional camera and through my images.   

The evolving installation that met me in the Gate Village did not disappoint me.

As I began to capture my impressions of the installation as it unfolded, I realized the story being woven was almost interactive, with personal impressions being woven into the threads by its viewers. 

The installation has a dynamic movement and it excited me to see the buildings being joined in a way that made them look as if they were reaching out to each other, sharing stories and sharing the space they were in more intimately than before. This so tied in with my recent blog in which I received a tweet from a tower. 

My love of architecture and my passion for promoting interconnection through here2here  were being represented visually in a form I had not imagined before. 

When a couple met and hugged underneath Faig’s installation, another chapter in the tale was complete. 

As the story of the installation unfolded on Instagram it was gaining yet another dimension, this time in cyberspace.  

There was mention of “His palette of colorful yarns” and the viewer was informed that “Scaffolding keeps getting higher and higher as he works yarn from the gallery walls out the window and all the way up to the roof.”

While preparing this piece I came across an ancient metaphor:

“thought is a thread, and the raconteur is a spinner of yarns - but the true storyteller, the poet, is a weaver.”

A weaver of a wonderful tale had arrived in my world and I determined to meet him at Art Nights. Patiently waiting my turn I noticed his open engagement with others.  I was able to show him some of the photos I had taken and see his delight when he saw the couple hugging under his work. 

As mentioned earlier, I was present with Igers from all over the world at Art Nights, our online connections having overflowed into physical space, just as Faig’s yarns had moved from inside the gallery to the neighbouring rooftops outside. 

Antoine de Saint-Exupery spoke about “a mesh into which relationships are tied” and this was probably what Tim Berner-Lee had in mind when he created the term “World Wide Web” in 1989.

As we make our way through cyberspace, let us remember the importance of relationships. 

The complex membrane of information, called the noosphere by Pierre Teilhard de Chardin, that is currently enveloping the globe is fueled by human consciousness.  Each tweet we send, each instagram pic we post or every facebook update we make, is a thread that can add to the beauty of the unfolding carpet of life. As we encounter others online in here2here space, let us treat them with respect as we listen deeply to what they share. As we collaborate with others, let us remember that we have more similarities than differences. 

We are threads in a wonderful tale, but we are also the weavers. 

Social Media - Bridging Cyberspace

A bridge, by definition, is a structure spanning and providing passage over a river, a road or the like. In the physical world, it spans two locations which are within a reasonable distance from each other. It enables one to get from here to there. 

When it comes to cyberspace, which is not localized but still very real, distance is no problem. In cyberspace - the mindspace we find ourselves in when using technology to communicate - time and space are at once both limitless and compressed. People from different time zones and different geographical locations are connected by the bridges of cyberspace. They are able to get from here2here. 

“When I see cyberspace, I see bridges. Perhaps I should say I see people, building bridges in cyberspace. Not bridges of steel, not even electronic bridges, but bridges of ideas that span the miles of physical space, cross the generations and connect people who would otherwise be unlikely ever to meet.” Dr Judi Harris 

Social media bridge cyberspace and are largely responsible for the incredible communication evolution currently taking place. They enable collaboration and sharing to take place without geographical, time or economical restraints. These bridges connect not only people, but also ideas, interests and cultures.

The builders of the bridges in cyberspace are its users aided by technology, but unlike in the physical world, each builder constructs only part of the bridge.  When a blog is published, a photo posted, an update made, or a tweet sent out, there are endless possibilities of where it will reach. The minute it is read or viewed, a connection is made, and one of many possible bridges is complete. 

The effects of cyberbridges are mind boggling, and today’s blog will be just one story in the bigger web of connections.

About a month ago I tweeted about an app which allows potential buyers to project art onto their walls to see what it will look like before they decide whether they should buy it or not. It was retweeted by the amazing artist Walt Pascoe, @waltpascoe, whom I have been following almost since I joined Twitter four years ago. Two weeks later his retweet was further retweeted by @irishetchings, an Irish artist based in Dublin.

!!!“@WaltPascoe: This looks promising RT @lindahollier: Amazing! Finestra App Projects Art Onto Your Wall http://t.co/CXpbxdE37H via @zite”

— Irishetchings (@irishetchings) July 14, 2013

When it appeared in my stream I was amazed.  I had never before made contact with anyone from Dublin, and this retweet arrived within a few days of our planned visit to Ireland. It appeared to me to speak of synchronicity. I have written about deep listening in cyberspace and felt I should pay attention. 

The three exclamation marks were the completion of a cyberbridge made possible by social media and would lead to quite an adventure.

I discovered that @irishetchings was Camilla Fanning, whose primary medium is etching. Particularly drawn to the fact that a recurring theme of her work is collective memory and shared imaginings I further explored her website.

Her blogs “Strumpets” and “Waiting for Beckett” are an interesting account of the development of her latest etching which would be on display in the Graphic Studio Dublin. There and then I decided that if it was possible I would attempt to see the etching while in Ireland.

There was also a link on her website to current events in Dublin, through which I discovered and subsequently attended a Tibetan singing bowl meditation. 

The day after I arrived, I set off in Ireland’s heatwave to find the studio in Temple Bar, an area on the south bank of the River Liffey in central Dublin. While there I took a photo of the etching. 

In the late afternoon, I was happy to have lunch at a beautiful little spot recommended to me by a mindfulness twitter friend @twenty1breaths. That evening, resting after a day’s walking and exploring (ever the flaneur!) I did some more research.

The title of the etching, “Waiting for Beckett”,  was obviously a play on “Waiting for Godot” by Dublin born Samuel Beckett.  To my delight I discovered that the Samuel Beckett bridge (this pdf has some lovely photos, and there are a few more photos of the bridge in my gallery “Ireland”) featured in the etching, was designed by one of my favorite architects, Santiago Calatrava, whom I had blogged about shortly after discovering him in 2009.  The bridge looks like a Irish harp on its side and is unique in Ireland in that it is able to rotate through an angle of 90 degrees. Amazingly, it was constructed offsite and made its way to Dublin by barge from Rotterdam.  

One of the paradoxes in Calatrava’s designs is that they contain both rootedness and movement and this is clearly demonstrated in the Samuel Beckett bridge.

Rootedness and movement are typical too of cyberbridges. With the body present and rooted in front of a device, one’s mind nevertheless is able to move rapidly in here2here space. 

Thinking about all of this, I decided that only one thing could complete my adventure.  The next morning, shortly after sunrise, I made my way along the Liffey river to find the spot which had inspired the etching. An hour later I reached the bridge and stood in awe of its beauty. Slender yet strong, it graced the landscape. I wandered over it until I felt I had found the spot which Camilla had used as her perspective. 

After taking a number of pics, I simply sat there for a while in the early morning. 

Later I worked on an edit and this was the result.

Before leaving Dublin to tour the rest of Ireland I was able to return to the gallery to purchase Camilla’s etching.  Somehow its story had become part of mine.

Langu age

About twenty years ago, it was still believed that after the brain’s initial formation period, brain networks were static. Neuroscience now recognizes that the brain is shaped by experience on an ongoing basis.  Brain plasticity is the ability of the brain to rewire itself and form new networks at any age. 

The internet, and especially social media, is without a doubt affecting our reading and our writing, but what I find particularly fascinating, are the examples of brain plasticity in these areas, now slowly coming to the fore.

Without us being consciously aware of it, our brains are adapting and adjusting to the time we spend online.

The splitting of words as we type in haste, the joining of words for convenience or for use with hashtags, (a word only recently added to the Oxford dictionary), omitting letters for the sake of character limitations, and the use of numerals 4 certain words, are now everyday phenomena in cyberspace.

The very concept of cyberspace is effecting not only the way we use words but also the meaning we give to them and the way we see them. 

What if nowhere is seen as now here

Tweeps refer to everyhere not everywhere as they meet online with users from various countries simultaneously. 

The concept of an iCloud is not at all strange.

The blog u r reading right now is called here2here.

Only recently I came across this tweet:

@GammaInfinity One whole day has passed, and I remain amazed that until yesterday I had never noticed that “race car’” backwards is “race car”.

These are exciting times, for these very abilities will overflow into everyday life.  Whereas before we could look at something for years without noticing certain aspects of it, we will now begin to take new perspectives on worldviews we had never questioned before.  Outlooks conditioned by upbringing and culture will be looked at with new eyes. Reversals, splittings & combinations will see insights evolving.

As an exercise, I decided to take the word “language” and play around with it. 

Langu age, was perhaps a natural split, as we hear much about entering a new age.

Research revealed that besides being an iphone app to make the learning of Spanish and Mandarin Chinese a lot of fun, “langu” also means “my” in Swahili. 

A promoter of collaboration, I immediately looked up a translation for “our” in Swahili, only to discover that it is  “wetu” which I of course read as “we too”, appropriate I felt in an age of interconnectivity and connectedness!

Lan guage was another possiblity.

My eyes muddled up the letters in guage on first reading and I saw it as gauge.

LAN is an acronym (hard to believe that two years ago I did not know the meaning of lol!) for local area network, but as more and more of us access online space, the question of what to gauge as local becomes an interesting one. 

Let’s look at one more possibility for “language”: La ngu age.

Age keeps reoccurring, la added a French ring to the, and ngu is an acronym for never give up. The never give up age!  

My eyes, probably because I come from Africa and have many times visited the Kruger National Park, immediately saw “gnu” the first time I read la ngu age. The age of the gnu?

The gnu is a wildebeest and spends much of its life as a loner on the move. This is possibly not inappropriate when we consider how we as individuals are continuously on the move in cyberspace.  In a sense we are alone as we do this, but in another sense, this aloneness is only physical.  On an energetic level, we connect to so many others in virtual space.  The gnus are famous for their annual migrations in the Serengeti, and together we in here2here space, are making mass migrations to new ways of being.

People from the West write and read horizontally from left to right. In the East many languages are written and read vertically from bottom to top. The mass migrations we are making together in cyberspace, however, are rewiring our brains and altering the way we write and see things.  Now, for example, in the West, emoticons are written vertically :) while the Eastern smilies interestingly enough run horizontally ^_^ with most of us beginning to use them interchangeably.

In @GammaInfinity’s Flickr photostream you will find what he has entitled Luminal Butterfly. He states that in this magic fantasy, butterfly has another stage after adult, where it becomes pure light, creating beautiful displays in late summer.

Not only is language undergoing a metamorphosis, but we, both as individuals and as the collective, are undergoing one too.

As we do so the heart is opening:

heartheartheartheartheartheart is becoming 

hear the art hear the art hear the art 

_/|\_