Draw Mindful
“true beauty results from that repose which the mind feels when the eye, the intellect, and the affections are satisfied from the absence of any want”. Owen Jones
Yesterday’s activities included a visit to the exhibition “Reconnecting East and West” which “traces the groundbreaking documentation of Islamic ornament and design by European scholars, artists and architects who traveled to the Middle East in the 19th century”.
Captivated by the magnificent color lithographs from Owen Jones’ “Grammar of Ornament”, I was reminded how much I am fascinated by Islamic patterns. The repetition of certain forms and patterns lends itself to a feeling of spaciousness, ongoing possibility and all encompassing beauty. Pattern in Islamic Art is a website with some beautiful examples of this art form.
A book of Geometric Patterns in an art shop had been “jumping out” at me for a while now, so after the exhibition the book was duly purchased. I came home, chose a pattern and decided to color it in as an exercise in mindfulness.
To begin the process I chose colors simply on their appeal to me but noticed that later I had to take note of placement and harmony. It was interesting to observe how at first I kept wanting to go back to perfect sections. Instead I simply moved on, reminding myself that I could only focus on the section in front of me. The past ones were past, the next ones still to come. After some time, conversations started to play themselves out in my head. I noted them then returned to the drawing. Memories popped up - back to the drawing! After a while the shading had a peaceful, calming effect.
It is my intention to continue this practice with all the 11 remaining cards in the booklet. I will put the results up on Twitter with the hashtag #drawmindful, as well as put them into a gallery on #here2here. (Suggestions for names for each piece will be welcomed).
My love for this form of design started back in the late 1970s when we visited England and I came across a book entitled, “Altair Design Book 1”. Unaware of this at the time, I later discovered that these designs were based on a unique and unusual Islamic design which consisted of the arrangement of close packing circles of various sizes.
Upon our return to South Africa I made use of these designs in my Mathematics classes. Every week I would hand out a design to each pupil. They had one week to color in the design if they so wished. Some of the pupils were in their final year of high school, but even they participated. The resulting creativity was amazing and these works of art were proudly displayed on the classroom walls.
M.C. Escher was also drawn to the works of the East and incorporated their principles into his masterpieces.
In “Grammar of Ornament” Jones established 37 guiding principles for the “arrangement of form and color, in architecture and the decorative arts”.
It would be interesting to know if these principles are being applied to web illustration which should attract attention but complement not control content.
We decorate our homes, and the arrangement and choice of furniture, ornaments and art pieces influence and reflect our inner lives. With the acquisition of online homes, we need to remember that their layout and design features will require our attention as well.