Links and Texture

Below is an image. It is a photograph of the Burj Khalifa, currently the tallest tower in the world.

When you hover over it you will see that it suddenly reveals a number of links. Each of these links allows you to either experience the tower in its different moods, learn more about it, or watch a video related to it.

Perhaps take a few minutes to explore these links before reading further. The choice is yours.

I have used this concept as I feel it offers a special key.

Every experience we ever have has many elements, but unless we take the time to be mindful of them, many of these elements escape our notice.

Operating on autopilot we may miss many of the threads which when woven together give an experience its particular texture.

An event might be experienced as being bland or fascinating or any of a variety of ways, but that experience is determined by the way in which we tune into that which is at hand. We can walk without seeing details, be in a room and not hear what music is being played, eat a whole meal without noticing the different flavors, pass by flowers without noticing their fragrance, pick up an object without noticing what it feels like, arrive at destinations without being aware of how we got there or look at others without picking up on their moods.

When we pay attention, that which we touch might be smooth, rough, grainy, soft or coarse. That which we hear might be harmonious, irritating or soothing. Tastes can be crunchy, chewy or crisp. Emotions become messengers and we realize that we are not our thoughts.

Our senses and our feelings are our links to mindfulness. We need to click on them as it were in order to experience each moment with all the various elements that make up its particular texture as they interrelate.

Texture

As we move through the corridors of cyberspace, we choose which links we wish to open or close. Similarly, we need to realize that we can choose to tune into that which is around us and within us. We can choose to notice what we are sensing and feeling and thinking. Mindfulness is something we choose to do.

Mindfulness means paying attention in a particular way:

on purpose,

in the present moment,

and nonjudgmentally.

Jon Kabat-Zinn

When we choose to be mindful we also give ourselves the opportunity to choose which elements of an experience need our attention and which it would be better to ignore or not engage. It provides us with the gap in which we can decide how to respond instead of simply reacting.

Between stimulus & response there is a space. In that space is our power to choose our response. Victor Frankl #mindfulness
— Linda Hollier (@lindahollier) May 29, 2013

As mindfulness spreads into all walks of life, it is adding a flavor to life which cannot be properly described but which has to be experienced.

Its texture feels calm, compassionate and non-violent. Its threads are those of acceptance and understanding. They play a music whose chords are non-judgmental. They smell of purpose and focus. Their taste is that of the present moment.

This Moment

This morning I continue reading “Stoep Zen” by Antony Osler.  A beautiful book about Zen life in South Africa. A book filled with phrases and passages that evoke childhood memories and fill me with laughter.  A book filled with short essays, haiku-like poems and photographs that invite me to live my life as simply and as profoundly as I can. A book that invites each reader to be fully present to whoever or whatever is before them. A call to find the heart of each moment. 

When Zen master Su Bong came one year for his retreat he had his usual bag of presents for Tongo and his family. Tongo was digging out thistles near the earth dam. Su Bong gave him the gifts. Tongo thanked him, picked up his spade and started digging again. Su Bong was so impressed. ‘That’s the way to live your life,’ he said that night. ‘You don’t need monk’s robes, just say thank you and get on with your work.’

As I reach the last few pages of the book, the tumble drier sounds its song. Whereas normally I might be tempted to “just quickly finish the last few pages”, I put down the book and go to the tumble drier.  I empty it, fold his socks and place them in the drawer.

As I do so, I fully realize that this is what I am doing. 

This might sound simple. It is and it is not. It is mundane and it is profound.

After closing the drawer, I decide to tweet.  

I fold his socks, then place them in the drawer. #thismoment

— Linda Hollier (@lindahollier) May 7, 2013

Continuing the musings I have been engaging in lately on the usage of Twitter to promote mindfulness, I am struck once again by the incredible potential it has to aid one in becoming aware of what is happening right now.  Often when I watch and note to myself what I am experiencing it sounds like a tweet!  

I return to my book, finish it, and then decide to write this blog.  

In preparation, I pick up my ipad, read many of the tweets with the hashtag #thismoment and then google the concept too.  

I discover an article from two days ago, in which the CEO of Twitter, Dick Costolo, urges graduates to “Be In This Moment”.

Ironically, Costolo didn’t learn this lesson while at Twitter, a platform which in many ways embodies the very philosophy of “being in this moment.” He learned it as an improvisational comedy student in Chicago before, as Costolo puts it, “the internet happened.”

Listening to the video incorporated into the article, I am aware of synchronicity, and then realize it is always there but we do not always see it. 

Making my way to my laptop, my mind begins to wander and I note its wanderings. 

I recall the the piece I once wrote entitled, “The Dalai Lama and Synchronicity” after I saw him in The Hague. I think about impermanence and then recall that I noticed upon my return to Dubai last week that the old "Hard Rock Cafe" is no longer standing. That blog must be about a year old.

Not wanting to hold onto these wanderings too long, I note them, let them go, and then sit down to type.

The mind throws in one last attempt - Remember the blog “Booma Dollies and Onions”; you wrote this piece about watching the mind! Seated at my laptop by now, I look it up, but its message very quickly brings me back to this moment. 

And so I write this blog and you read it. Are we separate? Are we different? Are we one? Are we the same?

Or is there a point where we can go beyond labels and opinions? A point where we can see differences but move past them? That is the point when the wonders of life make themselves known without a need for understanding. 

Right now, this moment, the words appear on my screen as my fingers tap out the letters.  Your eyes move across the page as you read.

I turn to glance out the window

The Burj Khalifa stands tall

The sun is shining.

Trend Skyscrapers

A shoe is so much more than the sum of its parts.

Originally looking more like a foot bag used for protection and warmth, the design of the shoe has evolved over time. Functionality soon made room for adornment and this in turn was dependent upon materials available and the culture in which the shoe found itself. 

Color became important as accessories on other parts of the body called for matching shoes. Status in society enabled some to wear shoes that made a statement.  

Today, your choice when buying a pair of shoes is obviously influenced by the shape and size of your feet which are part of your external attributes.  Personal taste, part of your interior being, plays a role. 

But let us not forget that each individual is also part of a collective “we” with its own interior and exterior.  There are habits that are preferred in a particular group, as well as external systems supporting that culture. What this means is that the shoes popular in the culture you find yourself in, and what is on offer because of the manufacturing possibilities of this era, also influence your choice. 

Popular trend, otherwise called fashion, is an interesting phenomenon. 

That there are trend setters of a particular fashion, I comprehend. That advertising agents assist in spreading the popularity of an item, makes sense. That we now have communication technologies offering exponential possibilities for an item to either gain or lose popularity amongst buyers in a very short period of time, is exciting. That this adds a whole new dimension which needs consideration when fashion is designed, is challenging. 

At the same time, users of products are beginning to take an interest in how a particular product influences the environment. Social issues, such as the unfair treatment of the laborers involved in the manufacture of a product can no longer be ignored. That both these factors must be addressed in fashion design, is becoming crucial.   

That there are designers who give direction as to what the fashion of a particular season will be, I understand. What intrigues me, however, is what these designers are inspired by. What for instance has led to skyscrapers dominating the autumn fashions now to be seen in window displays in the northern hemisphere? 

Skyscrapers? 

A look at the history of skyscrapers sheds light on the question at hand. 

In 1922 the discovery of the tomb of King Tutankhamen and the treasures which had been undisturbed for more than 3000 years captured the imagination of the world. The decorative art movement which began in the 1920s and which was later called Art Deco, was greatly influenced by the discovery. The fascination for ancient Egypt was expressed in the design of jewelry, furniture, clothing and architecture. 

Stories were told by ancient Egyptian art and so it became popular to put symbolic images on buildings. The Chrysler Building in New York, which for a short time was the word’s tallest building after its completion in 1930, is adorned with hubcaps and images of cars.

Art Deco skyscrapers also suggested Egyptian pyramids in their design. The Empire State Building in New York is one example of stepped design.

When we consider that the 10th anniversary of the collapse of the Twin Towers is still fresh in the memory of the collective, and that the world is still buzzing with the news of the Arab Spring which gained great momentum in Egypt, it is perhaps more understandable now why skyscrapers are influencing fashion.

Giorgio Armani, a leading designer giving direction in fashion, has a hotel in the Burj Khalifa, the world’s tallest building at the moment. Could this be influencing fashion design choices?

When the world experiences a crisis it is not uncommon for creative people to find opportunity. Skyscraper fashion encourages individuals to stand tall despite the current economic crisis. Super-high heels were also in vogue during the Depression that followed the 1929 Wall Street Crash. Could designers be cashing in on our insecurities? Can we blame them for this? 

Would it not be better to be mindful of all these influences?

These are my perspectives, influenced perhaps by the fact that I live close to the foot of the Burj Khalifa. 

The shoe depicted at the start of this blog has skyscraper heels and sequin adornment. 

 Hopefully, you will now view it with slightly different eyes.